Annales de l’université d’Alger
Volume 39, Numéro 4, Pages 320-335
2025-12-11
Authors : Cheurfa Asma .
This study explores the role of visual identity in international sports communication through a comparative semiotic analysis of four football club logos from distinct continents: Real Madrid (Europe), Boca Juniors (South America), Al Hilal (Asia), and JS Kabylie (Africa). Using Roland Barthes’ model of denotation and connotation, the research examines how logos function as visual systems that convey cultural meanings, institutional narratives, and symbolic values. A qualitative interpretive methodology was employed to analyze visual elements such as shapes, colors, symbols, and typography, alongside their associated cultural and ideological connotations. The results reveal that each logo reflects a unique cultural and historical context. Real Madrid’s crest expresses royal power and global prestige; Boca Juniors’ emblem highlights community identity and working-class heritage; Al Hilal’s logo combines Arab-Islamic symbolism with modern professionalism; while JS Kabylie’s visual identity foregrounds Amazigh cultural resistance and territorial belonging. The comparative analysis demonstrates that visual identity in football is shaped by cultural specificity and regional symbolism, functioning as a communicative tool that reinforces belonging and differentiation.Overall, the study shows that football logos are not merely aesthetic designs but semiotic structures that help construct the myths and identities of global sports culture. These findings contribute to a broader understanding of how visual identity operates within international sports communication.
Visual Identity ; Sports Communication ; Semiological Analysis ; Football Club Logos; Comparative Analysis.
Mohamed Amine Driss
.
ص 150-167.
Cheurfa Asma
.
pages 418-429.
Cheurfa Asma
.
pages 44-52.
Djennad Djamal
.
Ikiouane Mourad
.
pages 145-156.
Abdelhak Ali
.
Belhimer Ibrahim
.
pages 348-359.