Journal of Languages and Translation
Volume 6, Numéro 1, Pages 461-470
2026-01-01
الكاتب : عشو سليمة .
ترتكز رواية "هلابيل" للرّوائي الجزائري "سمير قسيمي" على حدثٍ من تاريخ الجزائر من خلال مخطوطة كتبها سيبستيان دي لا كروا منذ بداية عام 1808م؛ و الذي يحكي فيها حقيقة استعمار فرنسا للجزائر، و هذه الحقيقة هي عكس ما ادّعته فرنسا لتبرير استعمارها للجزائر و ذلك بحمل الحضارة لتنوير الشعب الجزائري وتمدينه و إخراجه من همجيّته و تخلفه، و تؤثّث هذه الرّواية لهذا المحكي بالعجائبي والأسطوري المتمثّل في أسطورة الخلق أو البدء، مستعينة بشخصيّات واقعيّة و متخيّلة و أخرى هامشية و لكنها كانت محور الأحداث وجزءا منها، و التي تسعى كلها من أجل الوصول إلى هذه المخطوطة بشكل أو بآخر، و قد كان الموت مصير كل تلك الشخصيّات بما فيهم السّارد. لقد كان الهدف العام المرجو من دراسة هذه الرواية هو البحث في الأدب الجزائري المعاصر و المتخيّل السّردي منه خاصة، و كذلك لمعرفة مرجعيّاته ونوعيّة مواضيعه و آليات التجريب والتجديد الموظفة فيه، و للتّعريف بالمنجز السّردي الجزائري المعاصر. و قد تبيّن من النتائج المتوصّل إليها أن دراسة رواية "هلابيل" أنتجت سندًا تاريخيّا موازيّا للسّند السّردي، وفتحت آفاقا معرفيّة وتأويلات جماليّة للرّواية وزادت من انفتاحها، خاصّة في العتبات النّصّية المُميّزة و خاصّة العنوان "هلابيل"، و أضافت ٍقراءة جديدة عليه؛ و هذه القراءة هي نتيجة المنهج المتبع وهو التأويل الذي يكشف لعبة السّرد وينور القارئ. The novel "Hellabil" by the Algerian novelist "Samir Qasimi" is based on an event in Algeria's history through a manuscript written by Sebastian de la Croix since the beginning of 1808; Which tells the reality of France's colonization of Algeria, and this fact is the opposite of what France has claimed to justify its colonization of Algeria by carrying civilization to enlighten and debtor the Algerian people and to remove them from their barbarity and backwardness, This novel furnishes this narrative with the miraculous and mythical myth of creation or initiation. But they were the focus of events and part of them. All of which seek to access this manuscript in one way or another. And death was the fate of all those characters, including the Sardine. The overall objective of the study of this narrative was to research contemporary Algerian literature and narrative imagination, especially, as well as to learn about its references and the quality of its topics and the mechanisms of experimentation and innovation employed in it, and to familiarize itself with Algerian contemporary narrative achievement. The findings show that the study of the novel "Hellabil" produced a historical bond parallel to the narrative, opened up cognitive horizons and aesthetic interpretations of the narrative and increased its openness, especially in the distinctive text thresholds, especially the title "Hellabil", and added a new reading to it; This reading is the result of the approach followed, the interpretation that reveals the narrative game and enlightens the reader. event in Algeria's history through a manuscript written by Sebastian de la Croix since the beginning of 1808; Which tells the reality of France's colonization of Algeria, and this fact is the opposite of what France has claimed to justify its colonization of Algeria by carrying civilization to enlighten and debtor the Algerian people and to remove them from their barbarity and backwardness, This novel furnishes this narrative with the miraculous and mythical myth of creation or initiation. But they were the focus of events and part of them. All of which seek to access this manuscript in one way or another. And death was the fate of all those characters, including the Sardine. The overall objective of the study of this narrative was to research contemporary Algerian literature and narrative imagination, especially, as well as to learn about its references and the quality of its topics and the mechanisms of experimentation and innovation employed in it, and to familiarize itself with Algerian contemporary narrative achievement. The findings show that the study of the novel "Hellabil" produced a historical bond parallel to the narrative, opened up cognitive horizons and aesthetic interpretations of the narrative and increased its openness, especially in the distinctive text thresholds, especially the title "Hellabil", and added a new reading to it; This reading is the result of the approach followed, the interpretation that reveals the narrative game and enlightens the reader.
التاريخ، تخييل، المخطوط، الموت، هلابيل. ; Hellabil, Death, History, Imagine, Manuscript.
بوسالم أحلام
.
عابد يوسف
.
ص 117-132.
Yahia Zeghoudi
.
pages 74-88.
بكوش عيسى
.
بريك محمد
.
ص 211-235.
وضحة فاطمة الزّهراء
.
تومي سعيد
.
ص 104-131.