Revue Des Sciences Humaines
Volume 35, Numéro 2, Pages 109-117
2024-06-30
Auteurs : Maouchi Amel .
The primary objective of this article is to demonstrate that novelization, far from being a mere transposition from one medium to another, constitutes a creative and critical form of artistic reappropriation. Through the analysis of Sofia Aouine's Rhapsodie des oubliés, which draws inspiration from François Truffaut's film "The 400 Blows," the article examines how novelization can serve as an intermedial bridge, allowing for a meticulous study of characters and social contexts through literary means. The article also highlights the potential of novelization to update cinematic works through the lens of contemporary issues, thus transforming the cinematic heritage into a narrative that resonates with current societal challenges. By revealing these interactions, the study asserts that novelization does not merely extend the life of cinematic works but regenerates them, offering new perspectives and enriching the contemporary literary landscape.
Novelization ; Cinéma ; Literature ; Adaptation ; Narrative techniques
بوسالم أحلام
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عابد يوسف
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ص 117-132.
Yahia Zeghoudi
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pages 74-88.
Said Houari Amel
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pages 257-268.
بن ستي نادية
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سعادة حسيبة
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ص 344-360.