القارئ للدراسات الأدبية و النقدية و اللغوية
Volume 9, Numéro 3, Pages 39-52
2026-10-10
Stylistic Phenomena In The Poetry Of Umayyah Ibn Abi Al-salt:the Poem "ghadhawtuka Mawlūdan" As A Model
Authors : Katef Abdelkarim . Rahmoune Belghacem .
Abstract
Modern critical approaches, both contextual and structural, have devoted attention to the study of classical poetic texts and the production of meaning embedded within them, regarding them as eloquent and purposeful texts that carry deep meanings and connotations, differing entirely from modern texts in their language and distinct voice. These approaches have found in such texts the fundamental material for rereading heritage and all that is classical through a modernist lens, with each approach settling upon specific mechanisms and procedures on which it relies in its engagement with these texts. Stylistics is considered one of the critical approaches that has introduced an entirely different space of creativity to literature, as it is a method that studies the text in itself, examining the beauty that texts carry in terms of imagery, meters, and rhythms, highlighting the poet's distinctiveness and signature in that artistic work. It reveals connotations and aesthetics that were not previously observed. All of this occurs within levels that suggest a precise, methodical, and scientific reading. What are these levels? And how can they be applied to a classical poetic text, specifically the text "Ghadhawtuka Mawlūdan" by Umayyah ibn Abi al-Salt as a model?
Keywords
Classical Arabic poetry ; critical approach ; phenomena ; stylistics ; Ghadhawtuka Mawlūdan
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