مجلة الباحث في العلوم الإنسانية و الإجتماعية
Volume 18, Numéro 1, Pages 49-58
2026-04-22
جمالية العناصر الزخرفية في المصاحف ببلاد المغرب الاسلامي
الكاتب : شلحاوي ريمة . طيان شريفة .
الملخص
يعتبر فن المصاحف- وان صح التعبير- من الموضوعات المهمه في مجال الاثار الاسلاميه بشكل عام والفنون الزخرفيه بشكل خاص باعتباره اللبنه الاولى والقاعدة الاساسيه التي يجب ان يرتكز عليها او الدارس لفنون الكتاب. رغم انه يبقى موضوعا ثانويا لم يحظ باهتمام كبير من قبل الباحثتين إلا ان المصحف الشريف عرف في الحضارة الاسلاميه اهتماما بالغا وعناية فائقة من طرف الامراء والخلفاء والحرفيين وعامه الناس، نظر لقيمته الدينيه ولاعتبارهم انه احد السبل الى تعاطيهم الدين. فتفننوا في زخرفته وتذهيبه وتجليده مستعملين في ذلك مختلف المواد من رق وورق وذهب. The art of the Qur'an is, if we may say so, one of the most important subjects in the field of Islamic antiquities in general and decorative arts in particular, as it is the first building block and fundamental basis on which the student of arts book must focus on . Although it remains a secondary subject that has not received much attention from researchers, the Holy Qur'an has been the subject of great interest and care in Islamic civilization from the part of princes, caliphs, craftsmen and the general public, given its religious value and their consideration of it as one of the means of practicing their religion. They excelled in decorating, gilding and binding it, using various materials such as parchment, paper and gold. Abstract : The artistic formation in ancient Arabic poetry is considered the essence of the creative experience, as it manifests in the artistic image crafted by the poet to convey their thoughts and express their emotions. Critics, despite their differing conceptual views, agree on the centrality of this image in guiding poetic creativity and shaping its aesthetic features. In this context, the pre-Islamic poet excelled in forming poetic images drawn from their environment and reality, making their poetry a reflection of their deep perception of the world and establishing a unique artistic identity that distinguished them from others. Among the most prominent descriptive elements that recur in pre-Islamic texts are: the "ṭallal" (ruins), which serves as a symbolic opening carrying an emotional charge, the image of the woman, which occupies a significant space in the poem, in addition to depictions of animals such as camels and wild cattle, which symbolize resilience and defiance. Based on the above, this research aims to explore these formations within the structure of pre-Islamic poetry, affirming its aesthetic value and cultural depth in our ancient literary heritage
الكلمات المفتاحية
المصاحف ; التذهيب ; المخطوطات القرآنية ; العناصر الزخرفية ; المغرب الاسلامي ; فنون الكتاب
مقالات مماثلة
مرزوق بتة
.
مراد لكحل
.
ص 63-75.
طوالي حمزة
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تاملكيشت هجيرة
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ص 35-55.
