Aleph
Volume 11, Numéro 7, Pages 443-458
2024-12-15
Authors : Tegaoua Kenza .
The present research deals with visual art in Britain, focusing specifically on urban art. More precisely, it analyzes street art as a new subversive artistic manifestation. The paper consists of two sections. The first provides an overview of the history of British visual art, encompassing various artistic movements. It also provides a comparison between these movements and urban art. Moreover, it introduces street art and the British street artist Banksy. The second section is tied to the social phenomenon of culture jamming which is introduced by Marilyn DeLaure and Fink Moritz, who define it as an artistic form of activism that emerged in the twenty-first century. Building on their insights, the current paper seeks to explain and analyze Banksy’s street art. The aim is to demonstrate his subversion through artistic activism for street art reflects a strong interest in various contemporary issues. In conclusion, the research confirms Banksy’s status as a culture jammer.
Activism ; Banksy ; Culture Jamming ; Street Art ; Visual Art
Mohamed Lamine Amor
.
Abderrazak Lemrini
.
pages 90-97.
Gouri Assia
.
Ben Lagha Mohamed Reda
.
pages 22-29.
Bouameur Assala Belsem
.
Baghzou Djalel
.
pages 1-12.
بوعروة حميدة
.
مدقن كلثوم
.
ص 1-10.
Bendida Medjahed
.
Djellouli Amel
.
Hamidat Djouhar
.
Bouzit Mohamed
.
pages 375-382.