El-Tawassol التواصل
Volume 26, Numéro 2, Pages 449-458
2023-02-28
Authors : Boutirna Dounia .
James Joyce had always been described by Marxist critics as an apolitical writer. These critics claim that Joyce’s artworks express an absolute detachment from the socio-political issues of his time. The present paper, however, operates a redefinition of the issue of commitment in literature, and presents a critical re-reading of his autobiographical A Portrait of the Artist as a Young Man (1916) by relying on Roland Barthes’s aesthetic theory illustrated in Writing Degree Zero (1953). In re-reading A Portrait through Barthes’ aesthetic approach, Joyce’s text demonstrates commitment through form opposing Sartre’s Marxist model based on meaning.
James Joyce ; A Portrait of the Artist as a Young Man ; Roland Barthes ; Jean-Paul Sartre ; Commitment ; The Formalist Model
Ferhi Samir
.
pages 07-11.
Kherroubi Hassiba
.
Benzoukh Halima
.
pages 530-544.
بوسالم أحلام
.
عابد يوسف
.
ص 117-132.
Yahia Zeghoudi
.
pages 74-88.
Said Houari Amel
.
pages 257-268.