Revue Algérienne de la Communication
Volume 27, Numéro 3, Pages 159-172
2025-12-10
(نظرية آيزنشتاين المبررات الوظيفية والجمالية في فيلم 7 جلود)
الكاتب : عكة Ibrahim .
الملخص
Cinema is considered to be the seventh art that took over other arts before, it's also considered to be the first in affecting audience, it employs different elements and audio-visual methodologies, but cinema didn't reach this place with one leap, it came through a long journey and was much similar to theatre until they finally separated by Montage technique that gave putty and effect on audience, Montage appeared –with its modern concept - and was made by cinema's Shakespeare "the father of Montage" Eisenstein who was specialised with his Montage theory. That's the focus of this study that will be discussed on the last scene of the movie ”seven skins”.
الكلمات المفتاحية
نظرية انزشتاين ; ال ; الظيفة الجمالية ; التحلبل السيميائي ; الاسقاط النظري
مقالات مماثلة
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زوليخة حنطابلي
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بوعزة عبد الرؤوف
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دراج فريد
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