Journal of Languages and Translation

The Romantic Sense: In The Poetical Work Of “a Drowned Man Sings To The Poet Saeed Laqawi”

Auteurs : Ghechir Samia .

Résumé

Contemporary Arabic poetry has been influenced by the Romantic school, which focused on expressing the poet's emotional experience and depicting national, pan-Arab, and humanitarian concerns. This is what we observed in the poets of the Pen League: Elia Abu Madi, Gibran Khalil Gibran, and Mikhail Naimy. They blended their feelings with diverse concerns, resulting in profound and sincere works. This article aims to highlight the features of romantic feeling in the collection “Ghariq Yughni” by the Omani poet “Saeed Al-Saqlawi”. His emotion was clearly manifested, and his emotional tendency was embodied, which expressed a dreamy, sensitive, contemplative self, seeking life, beauty, love, and nature. The poet also interacted with many issues that inspired his pen, occupied his thinking, and tempted his conscience. All these details produced his culture and formed his emotional experience. The features of romanticism appeared in the collection in the topics of writing (love and nature), in addition to the dominance of the tragic sense, which was represented in dark images that covered the poet’s anxious, troubled self. He employed the themes of alienation, death, and existential anxiety, in addition to The use of symbols of both types (natural and mystical) also manifested itself in the artistic structure (title, poetic language, poetic imagery). The poet leaned toward imagination, poetic language, and exquisite imagery, drawing his linguistic vocabulary from sources of love, women, and nature. How did the romantic sense manifest itself in the collection? And how did the poet's emotions emerge?

Mots clés

Romantic sense ; love ; , nature ; symbol ; tragic sense ; artistic structure