تاريخ العلوم
Volume 4, Numéro 7, Pages 25-29
2017-03-01
الكاتب : خليفي سعيد .
Known Sufi heritage of the Algerian nation since the first centuries of Islamic open to the Maghreb, religious and cultural and humanitarian dimensions, has been associated with the components belonging to the Islamic Arab nation on the one hand, the geographical location in which it controls the Privacy Maghreb capita Algerian ever Tamazight assets, as the original inhabitants of this the regions, and strikes me Algerian model his presence in novel writing record over the last four decades, during which sank deep into Algerian society record their hopes and pains, and evokes championships and glories, and stops at the various stations arthropod, making them hotbeds narrative inspired by them Article Gaiah, a writer Algerian novelist Mohammed Meflah, and perhaps his novel before The last issued in 2014 "Safar es-salikine" with secured mystic, which scored a victory spiritual Extractor on the desires of self and pleasures, one of the most prominent production novelist, which enters its content within this cultural heritage and given the cultural broad cross-section of Algerian society, past and present, represented spiritual authority over date extended, as we read in this novel images of the subtleties of faith and Alinvhat felt by the human psyche when it disputes such as the serenity and purity, purity, Vtzmo them to the world of Antioch Tahir, and moreover are witnessing interview stations, it was full of a lot of trouble and difficulties in order to achieve comfort, tranquility and stability psychological, to be guided in the final to that salvation lies in the travel path of obedience to God and discontinuity, which is for those who know and who walk approach in every time and place, hence this form of spiritual-denominated global dimension is valid for all mankind ...
تيمة التصوف وأبعاده الإنسانية
عيساني نزيهة
.
ص 176-192.
رواق عثمان
.
ص 232-253.
نواصرية رتيبة
.
وهاب خالد
.
ص 175-188.
بن عبد الله مفلاح
.
ص 115-129.
بركات محمد الأمين
.
زيدان حاتم
.
ص 214- 227.